The Mac-exclusive Final Cut Pro X is the very concept of a prosumer video editing program. Descended from a much more expensive professional tool, it efforts to bridge the space between consumers who would like something powerful but simple and easy , affordable, and professionals who can’t bear to lose a single part of functionality.
The end result, surprisingly, is surely an innovative, elegant, and unusual video editing program that serves a lot of people within both categories-if they have Macs. Apple provides a 30-day free trial offer, and also the full package costs $299.99 from your Mac App Store.
Once the first version of FCPX Effects became available this year, replacing the greater robust Final Cut Pro found in professional editing bays around the globe, it had been not well received through the professional community because many important features, like multi-camera editing, have been lost in the transition.
With version 10.4, Apple has greatly expanded the professional color tools offered in the applying. These include additional uses in the eyedropper tool, a dedicated color tab, and powerful color curves and hue/saturation curves that allow you to make very precise adjustments. Apple also added keyboard shortcuts which make the tools simple to use.
Final Cut Pro X may do not be a mainstay in Hollywood again, nevertheless it doesn’t necessarily need to be. It provides much to independent creators of all types.
Apple’s magnetic timeline is different from what you may have used before, however it might grow for you.
Final Cut Pro X is not really afraid to sacrifice some sacred ideas about video editing workflow. Experienced video editors will be surprised that this timeline is not really presented in how they’re used to, even though it shares some core ideas. Final Cut Pro X takes a different approach with what it calls just one track, “magnetic timeline,” but it’s just like functional generally.
Keeping your projects organized and efficient is created easier having a feature called “roles.” Each video or audio asset could be allotted to a part-say, “dialogue,” or “titles”-and you could apply changes to the people assets being a set. Additionally, the most recent version of Final Cut now color-codes those assets inside your timeline, which makes it easy to see the weather of the story at a glance.
You can include and remove nearly every part of Final Cut’s interface using keyboard commands or even the drop-down menus in the status bar-and you could create custom layouts with exactly the features you would like for many different situations. Having said that, you cannot detach specific interfaces into their own windows, or click and drag them freely round the workspace, just like you can generally in most competing software.
The provided titles and effects are common well-crafted.
Final Cut includes a bunch of effects, titles, and transitions. It doesn’t beat some other software in sheer numbers, however the quality is high over the board, and you can generate additions from third parties ibdywt expand the library.
Importing and exporting are easy. The importing tool is especially strong: It is possible to preview the video and apply color correction and fix audio problems straight from the importing interface. You are able to apply roles to assets straight away, too, or have them automatically assigned. Automatically, the application can export to 720p, 1080p, and 4K in video formats for Apple devices (H.264), to DVD, and also to Facebook, YouTube, and Vimeo. 4K is supported for YouTube and Vimeo.
Due to a recently available update, Final Cut now supports the HEVC video format (also known as H.265). This can be particularly ideal for 4K video since it usually brings about smaller file sizes for high-quality videos. Apple recently updated macOS High Sierra to aid this format, and it’s the default format for videos taken on iPhones.
Pixel Film Studios
120 Vantis Dr.
Aliso Viejo, California
Established in 2006, Aliso Viejo, California-based Pixel Film Studios is an innovative developer of visual effects tools for the post-production and broadcast community. Their products are integrated with popular non-linear editing and compositing products from Apple FCPX.
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